Foot-Switchable Boost Modification
Roland BC-60 (Blues Cube 60)


Now FOR SALE!!
Since I don't use the amp much anymore I've decided to sell :( I can accept NO less than $350 CDN. I am located in Toronto, Canada. Email me: DOLHOP at GMAIL dot COM if you are interested.



Roland BC-60 112
Figure 1: Roland BC-60

Overview

This modification will allow owners of the Roland BC-60 guitar amplifier to use their footswitch to enable/disable the boost setting on the lead channel.  It involves rewiring the amp to use the reverb footswitch (useless in practical situations, IMHO) for boost instead.  Let me reiterate that: you will no longer be able to switch reverb with the footswitch - reverb will always be on (the amount of reverb still controllable via the reverb knob).  The modification involves opening the unit, desoldering and soldering of some components and wires.


Difficulty Level:  Medium.   You must be comfortable with soldering and electonics.


Disclaimer

If you choose to make this modification you are taking your life and the life of your amplifier into your own hands.  I will not be held liable or responsible if you destroy your amp.  The instructions given below worked for me but the guts of my amp might be different than yours - I suggest you have a qualified technician perform the modification for you so that they can verify that the changes will not be detrimental.  As for your life, any time you open up a piece of electrical equipment you run the risk of electrocution.  Again, I will not be held responsible - it is your responsibility to ensure that you are following all safety precautions possible.  If you don't know them - take the time to learn them!  And please take the time to read ALL of the instructions before proceeding.  Good luck!


Tools Required


Parts Required

Disassembling The Unit

The first step is to disconnect the speaker and reverb unit.  Figure 2 below shows the speaker connections - simply pull the wires off of the terminals.  Take note that the red wire connects to the + terminal and the black wire connects to the - terminal.  Additionally you'll need to disconnect the green ground wire from the speaker.  In Figure 2 below you'll see (circled in yellow) that I already broke mine and will be sure to replace the lug and reconnect it.  This is a safety feature - make sure you reconnect it later!


Speaker Terminal Connections
Figure 2: Speaker Connections


In order to disconnect the reverb unit you only need to disconnect the two RCA connectors from the tank.  The connections are shown in Figure 3 below.  Notice that the black jack connects to the tank input and the red jack to the output.  Remember this for later when you need to put it back together!


Reverb Tank Connections
Figure 3: Reverb Tank Connections


Once you have disconnected all wires from the chassis, remove the five large bolts on the top of the unit and one from each side.  Some of these bolts are circled in Figure 4 below.  Don't let the electonics chassis fall onto the speaker! 


Chassis Botls
Figure 4: Chassis Bolts


Slowly remove the electronics chassis from the speaker chassis and remove all of the knobs.


Disassembled
Figure 5: Disassembled


Once you have all of the knobs removed, you have to remove all of the nuts from each jack and pot.  Tedious, yes, but it has to be done.  The pots are 11mm and the jacks 14mm.  Flip the unit over and remove the four screws from the back plate that are highlighted in Figure 6 below.


Separating The Backplate\
Figure 6: Separating The Backplate


Identifying The Components

After you've disassembled the unit you'll notice that there are two main boards inside which I have termed "LEAD" and "NORMAL" based on the majority of functionality they contain.  These are identified in Figure 7 below.  Also, notice the two important components: the Reverb Footswitch Jack on the "NORMAL" board and the Boost Switch on the "LEAD" board.  These are the two we'll be dealing with.


Identifying The Components
Figure 7: Identifying The Components



Making The Modifications

Are you ready?  Here we go.  The first step is to remove the reverb jack from the board.  Using the solder sucker, de-solder the three large terminals as shown below in Figure 8.  Do not hold the soldering iron on the board too long or the pads will start to lift.


Removing the Reverb Jack
Figure 8: Removing the Reverb Jack


Pay special attention to the labels I've placed on the terminals of the jack: point 1, 2, 3.   In the following diagrams these same labels will be used to when looking at the boost switch and the wires that will go between the boards.  Once removed, flip the jack over and glue it to the board (in the same location it came from!) with the pins looking up at you - this is depicted below in Figure 9.   I used contact cement, but you can use whatever you think will work for you..  Take special care to place the jack in the correct location.  Use the jacks on the other board as a reference for positioning.


Glue The Jack To The Board
Figure 9: Glue The Jack To The Board


Once the glue has dried and the jack is firmly positioned, solder a wire to each pin.  These wires should each be about six (6) inches long.  I recommend using insulated stranded wire between 18 and 24 gauge.  Anything else will be too difficult to work with unless you've done a lot of soldering in a previous life.  Pre-strip each end of the wire - about 2mm is all that's needed.  The other ends of these wires are going to be soldered to the boost switch to give you a feeling for how long they need to be.  Figure 10 shows my board - notice the labels again..


Solder A Wire To Each Terminal
Figure 10: Solder A Wire To Each Terminal


Now to the LEAD board and the boost switch.  Carefully examine Figure 11 below.


Boost Switch PCB
Figure 11: Boost Switch PCB


There are six closely located pins, up and to the left of the RED LED - this is the boost switch.  The labels point 1, 2, 3 do not necessarily point directly to the switch terminals.  I have chosen convenient solder points.  Point 1 is electrically connected to thd middle terminals of the switch, point 2 is connected to the top terminals of the switch and point 3 is on the other side of a via that WAS connected to the top terminals of the boost switch.  Notice that I said WAS.  You have two options here: the first is to cut the identified trace which connects point 3 and the top left pin of the switch.  This is done using a utility knife.  Use a voltmeter to ensure that there is no electrical connectivity between the two points after you cut the trace.  Be careful to not cut other traces. 

If you are uncomfortable cutting a trace, option two is to desolder point 3 and lift the resistor out of the hole.  The loose end of the resistor will become your point 3.  I think the resistor is R113, but don't quote me on that.  I will only show the first option.

Next, solder the wire from point 1 on the reverb jack to point 1 of the boost switch as depicted below in Figure 11.  Then do the same for points 2 and 3.


Solder The Wires To The Boost Switch
Figure 11: Solder The Wires To The Boost Switch


You're done!  Now wasn't that easy?  Maybe not - let's test it out first.


Testing The Change


You can't just plug in the unit and test it - you'll need to do a bit of re-assembly to prevent electrical shorts.  I suggest putting each board into the chassis and putting on one nut at each end to hold them in place and in order to be safe, put the electrical chassis into the cabinet and stick in at least two screws to hold it in place.  Connect the speaker, ground wire and reverb unit.  Plug it in, plug in your guitar and give it a try.  Ensure that the reverb still works and that the boost is foot-switchable.  Remember, the boost only applies to the LEAD channel.

If everything checks out okay reassemble the unit (in the opposite order as you disassembled it - but I didn't have to tell you that, did I?).

ENJOY!


Before You Close Up Shop

While you still have the unit open you have the opportunity to do a couple of other things:

Before You Ask

Feedback

I welcome feedback - comments, criticism, suggestions and improvements.  Email me: DOLHOP at GMAIL dot COM.

Copyright 2004